http://www.geniusdv.com/news_and_tutorials/2009/07/soundtrack-pro-3s-new-feature-easy-audio-restorati.php
Your essential resource for video production news, interviews, and insight.
Hosted by: Larry Jordan
http://www.geniusdv.com/news_and_tutorials/2009/07/soundtrack-pro-3s-new-feature-easy-audio-restorati.php
http://library.creativecow.net/articles/stern_eran/MarkersLeaks.php
Chapter: Audio
Topic: Improving Bad Sound
With the recent upgrade of Final Cut Studio, Soundtrack Pro has also been upgraded to help you edit and mix your audio even faster with new multitrack editing tools and easy ways to fix common audio problems. You can remove unwanted background noise in just a few simple steps and you can quickly identify, preview and fix audio that contains pops, clicks, hum, DC offset, and more.
http://www.geniusdv.com/news_and_tutorials/2009/07/soundtrack-pro-3s-new-feature-easy-audio-restorati.php
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Chapter: Compositing Tools and Techniques
Topic: Scripting or Expressions
In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects.
http://library.creativecow.net/articles/stern_eran/MarkersLeaks.php
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According to MacRumors:
Alongside today’s introduction of updated Time Capsule models, Apple appears to have finally discontinued Shake, its long-standing high-end digital compositing and visual effects software package. While Shake’s product pages remain available on Apple’s site, it is no longer listed in the online Apple Store and MacRumors has received word that Apple sales representatives have been informed of the product’s discontinuation. Shake had been priced at $499.
Shake was originally launched in 1997 as a product of Nothing Real, which was acquired by Apple in early 2002. Apple continued to update Shake over the next several years, but the release of Shake 4.1 in mid-2006 was accompanied by the announcement that no further software updates were planned. A minor update to version 4.1.1 was issued in late 2008.
This week’s episode of the world’s only interactive talk radio for Digital Production, Post Production and Distribution is filled with great information and entertainment designed for the independent filmmaker, producer or editor.
Today is Australia Day on the BuZZ and host Larry Jordan talks with:
Stuart Monksfield, general manager of Cutting Edge (Syndey EQ facility), is using a brand new software technology for managing the workflow of both film and HD dailies. Discover the current challenges in their workflow and how this new software makes a big difference in speed and reduced staffing costs.
Philip Hodgetts, president, Big Brains for Rent, drops by to talk about the impact the Internet is having on the news. What is news? Who is it for? What should it accomplish? How do you make money at it? Every answer to every question you could possibly ask – all in six minutes!
Adam C. Erickson, videographer, is a wedding videographer. But, recently, he finds he’s doing more and more work for churches. This week, he’s attending a conference on church media technology and calls in from the conference to update us on what’s hot.
Denny Morales is a broadcast director, with a long-career in broadcast television. But his real love is film Tonight, he stops in to discuss how his broadcast background informs the decisions he makes while creating feature films.
You can’t find people or interviews like this anywhere else! It’s another fascinating show – all the information you need now to know what’s coming next!
Creative Planet’s Digital Production BuZZ is live 6-7 pm Pacific Time. Join the Show Live, listen to, or download an episode from the archives or subscribe to the podcast through iTunes or off the website.
http://www.fcptips.com/final-cut-pro-7/how-to-burn-blu-ray-discs-video_15bccdea2.html
http://provideocoalition.com/index.php/apple/story/compressor_3_a_virtual_cluster_makes_an_impressive_speed_boost/
Chapter: Distribution
Topic: Encoding Techniques
A large number of us do our encode/transcode work in compressor on the same single machine as we did our FCP editing on, or are about to author our DVD on. The point being that many of us don’t have the luxury of raw extra computing power just sitting in a stack next to our desk waiting to become a Qmaster Cluster for distributed encoding. However, it turns out, there’s a great pro-tip for Compressor users that allows you to basically do distributed encoding to yourself.
http://provideocoalition.com/index.php/apple/story/compressor_3_a_virtual_cluster_makes_an_impressive_speed_boost/
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Chapter: Distribution
Topic: Encoding Techniques
A large number of us do our encode/transcode work in compressor on the same single machine as we did our FCP editing on, or are about to author our DVD on. The point being that many of us don’t have the luxury of raw extra computing power just sitting in a stack next to our desk waiting to become a Qmaster Cluster for distributed encoding. However, it turns out, there’s a great pro-tip for Compressor users that allows you to basically do distributed encoding to yourself.
http://provideocoalition.com/index.php/apple/story/compressor_3_a_virtual_cluster_makes_an_impressive_speed_boost/
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