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Digital Production Buzz — January 30, 2014

  • Why Are Feature Documentaries So Hard To Find on TV?
  • Tips To Entering Your Film Into Competition
  • Beki Probst: Managing the European Film Market
  • The Past, Present and Future of Art-House Cinema

GUESTS: Peter Hamilton, Christopher Zitterbart, Beki Probst, and Nick Dager

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Join Larry Jordan and co-host Michael Horton as they talk with:

Peter Hamilton, Founder and Editor,

Why are feature documentaries so hard to find on broadcast television? Peter Hamilton, Founder and Editor of, discusses the U.S., Canadian and European markets this week on The Buzz.

Christopher Zitterbart, CEO, Watchmen Productions

It’s not easy getting your film into competition at the prestigious Berlinale, in Berlin, Germany. Christopher Zitterbart, producer at Watchmen Productions, tells us the story of “Praia do Futuro,” the first Brazilian/German co-production to be entered into the competition.

Beki Probst, Director, European Film Market (EFM)

Beki Probst has headed the European Film Festival (EFM) in Berlin since 1988. Under her guidance, the EFM has become one of the largest film markets in the world. She has a unique perspective on the business as well as the creative side of film-making and shares her views with us this week.

Nick Dager, Editor & Publisher, Digital Cinema Report

Nick Dager, Editor & Publisher of Digital Cinema Report, talks about the Art House Cinema Convergence and the past, present and future of art-house cinema.

The Buzz is all the information you need now to know what’s coming next!

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