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Adobe After Effects: Let's all wiggle

Chapter: Paint, Draw and Design

Topic: Paint or Draw on Video

Kathlyn Lindeboom gives users a look at some of the tools in Cult Effects 1.5. This second tutorial in a series uses Cult Effects CE Paint along with 1.5’s new ‘Wiggle’ Controls. In this tutorial, we’ll animate the Displacement Variation in the Wiggle Control in order to make the strokes dance into place. Cult Effects Paint is now the Vector Paint in Adobe After Effects 5..

http://www.creativecow.net/articles/lindeboom_kathlyn/coolmoves/index.html

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Creating Crop Marks: Defining Image Area

Chapter: Compositing Tools and Techniques

Topic: Compositing Tips or Shortcuts

When you import vector artwork into a pixel-based program such as After Effects or Photoshop, its edges are determined by the outmost edges of the art. Sometimes, you want to extend the image area to allow new possibilities in your designs. In this article, Lon Clark demonstrates that by creating crop marks, you define a new edge/size for the file and that can open up new design opportunities.

http://www.creativecow.net/articles/clark_lon/cropmarks/index.html

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Adobe Illustrator: Creating Crop Marks: Defining Image Area

Chapter: Compositing Tools and Techniques

Topic: Compositing Tips or Shortcuts

When you import vector artwork into a pixel-based program such as After Effects or Photoshop, its edges are determined by the outmost edges of the art. Sometimes, you want to extend the image area to allow new possibilities in your designs. In this article, Lon Clark demonstrates that by creating crop marks, you define a new edge/size for the file and that can open up new design opportunities.

http://www.creativecow.net/articles/clark_lon/cropmarks/index.html

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Adobe After Effects: Creating Crop Marks: Defining Image Area

Chapter: Compositing Tools and Techniques

Topic: Compositing Tips or Shortcuts

When you import vector artwork into a pixel-based program such as After Effects or Photoshop, its edges are determined by the outmost edges of the art. Sometimes, you want to extend the image area to allow new possibilities in your designs. In this article, Lon Clark demonstrates that by creating crop marks, you define a new edge/size for the file and that can open up new design opportunities.

http://www.creativecow.net/articles/clark_lon/cropmarks/index.html

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Adobe After Effects: A tree grows in a pasture

Chapter: Visual and Creative Effects

Topic: Simulating Nature

Mark Simpson uses ‘CE Lightning’, ‘CE Radial Shadow’ and Atomic Power Evolution ‘Foam’ effects to simulate a time-lapse like effect of tree being grown out of the ground and then leaves growing on the tree. This tutorial could easily be adapted to be used with the built-in plug-ins of AE 5. Cult Effects plug-ins are included with After Effects 6.5 or available as Final Effects Complete from Media 100.

http://creativecow.net/articles/simpson_mark/growing_tree/index.html

TAGS: grow, organic, trunk, tree, bush, flower, growing, growth

Blue Screen Production Tips

Chapter: Keying

Topic: Basic Keying Techniques

General principles of Blue and Green screen keying focused around setting up for the key.

http://www.greatdv.com/post/bluescreen.htm

TAGS: chroma, key, blue, screen, green

Apple Final Cut Pro: Line your own Nest: Basics of Nesting in Final Cut Pro

Chapter: Compositing Tools and Techniques

Topic: Nesting or Precomposing

Although nesting is arguably one of the most useful and necessary components of any compositing application, its always shocking to find how many people really don’t understand it in a fundamental way. This is largely because nesting isn’t an effect or plugin in a filter menu. It is rather a procedural element, a part of your workflow that makes things possible which could not be accomplished otherwise.

http://www.kenstone.net/fcp_homepage/basic_nest.html

TAGS: precompose