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Apple Final Cut Pro: Keying explained (FCP Quick Tip #5)

Chapter: Keying

Topic: Basic Keying Techniques

When doing postproduction, it seems every producer/director wants to, or needs to, include a shot or two that was shot against a blue or green screen wall. Your job is to blend it in with the rest of shots. First thought might be to jump over to a great program like Adobe After Effects to pull off the composite, but Final Cut Pro 3, does a pretty good job if you stay right inside the application.

TAGS: chroma, key, blue, screen, green

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