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Avid Media Composer: Tutorial: Importing Images into MC and Keeping Their Sharpness

Chapter: Editing

Topic: Capture, Digitize, Import

A recent discussion on the MC – PC Forum was centred around a question about how to import digital images into MC and keep their sharpness etc.

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Archion Introduces Synergy UXE for Avid Unity

Archion introduces new Synergy hardware products for Avid Unity that offer:

  • RAID 5 Protection – eliminates the need to mirror Avid storage.
  • Failover Hot Spare – automatically rebuilds a faulty drive, eliminating any downtime for users.
  • 32TB in a 3RU Chassis – 24TB is protected and usable- 3X the amount of a single mirrored chassis by Avid.
  • Enhanced Performance – New architecture that delivers significantly greater “write” speed and equivalent “read” speed.
  • Twice the Scalability – Enables growth of Unity to a full 128TB of protected storage.
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    Click here for more information.

    Avid Media Composer: Spice Up Titles with Video

    Chapter: Titling

    Topic: Video Inside Text

    Sometimes the good, old title with static text just doesn’t cut it. In this episode, we’ll make the text be another layer of video.

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    Apple Motion: Motion Tip: Color Matching

    Chapter: Color Correction

    Topic: Color Matching

    If you ever need to match the color of an object in Motion to an imported graphic, you’ll want to watch this video for a tip on how to make it work correctly.

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    Apple Motion: Reflection for Motion 4

    Chapter: Compositing Tools and Techniques

    Topic: Reflections

    Text and objects with a reflection create a cool look. In this Motion 4 video tutorial Creative COW Contributing Editor Stephen Smith will show you how to utilize the new reflections feature in Motion 4. Plus, he will show you a short cut to creating a reflection in no time. In addition to reflections, you will learn how to work with the Distortion Displace filter. You will gain an in-depth understanding of how to use the Displace filter and how to create work arounds to get it to do what you want.

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    RAIDON Releases GearRAID 7650

    RAIDON is proud to announce the GearRAID GR7650-4S-WBS2, a 1U, RAID 5 rack-mountable storage solution.  Featuring triple interfaces including 2 high speed FireWire 800 ports, USB 2.0 and eSATA with port multiplication. This product allows users more flexibility and throughput than traditional FireWire 800 and 400 devices. The GearRAID GR7650-4S-WBS2 is hot-pluggable and is immediately recognized by Mac® OSX and Windows® OS without software.  With its quadruple interface, eSATA, FireWire 800, and USB 2.0 connections, the GearRAID GR7650-4S-WBS2 has the flexibility to work with virtually any Mac or PC.

    GearRAID Features:

  • Triple interface e-SATA / FireWire 800 (2 ports) / USB 2.0
  • RAID 5  integrated controller
  • Hot Swappable Tray Modules
  • Easy drive installation and removal
  • Alarm buzzer should a fan, hard drive or power supply fail
  • 4cm Ball Bearing quiet Fan x 3
  • 1U form factor for rack-mounting
  • LED Drive & System Status indication
  • For more information click here.

    Switronix Inc Releases FLEX DSLR Remote for Canon 5D/7D

    Switronix Inc new FLEX DSLR Remote is a patent-pending, handle mounted DSLR remote unit that triggers HD video start and stop recording for Canon 5D/7D. The FLEX’s unique gooseneck arm houses an optic to be positioned within line of sight to the remote sensor on the Canon cameras (transmits up to 1m away, 135deg spread). Once positioned, the remote transmits a signal through the optic when the button is depressed.

    The arm can be extended up to 12″ and coils down to approximately 3″ in diameter. The FLEX’s all metal construction will standup to the everyday rigors of HD DSLR video production. Max clamp diameter 1.5″. Powered by 2 included AAA batteries.

    For more information click here.

    Switronix Inc Releases FLEX DSLR Remote for Canon 5D/7D

    Switronix Inc new FLEX DSLR Remote is a patent-pending, handle mounted DSLR remote unit that triggers HD video start and stop recording for Canon 5D/7D. The FLEX’s unique gooseneck arm houses an optic to be positioned within line of sight to the remote sensor on the Canon cameras (transmits up to 1m away, 135deg spread). Once positioned, the remote transmits a signal through the optic when the button is depressed.

    The arm can be extended up to 12″ and coils down to approximately 3″ in diameter. The FLEX’s all metal construction will standup to the everyday rigors of HD DSLR video production. Max clamp diameter 1.5″. Powered by 2 included AAA batteries.

    For more information click here.

    Autodesk Smoke on Mac: Mastering & Versioning: Timeline CopyFX

    Chapter: Finishing

    Topic: Versioning

    This tool in Smoke is great if you are working on multiple timelines using the same material. The way this tool works is by using the source tape name and timecode of the source footage. When softFX are copied between timelines, smoke matches the metadata. So where ever it matches, Smoke will copy the softFX with frame accuracy. This even includes animation!!!

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    Avid Unveils New Interplay 2.1, Interplay Capture 1.0

    Avid has released a new version of the Avid Interplay 2.1 production asset management system as well as a new Interplay feed scheduling and recording system option, Avid Interplay Capture 1.0.  

    The products support enhanced media access and control via Interplay support for Mac-based Avid editing systems and streamlined asset ingest and metadata management capabilities.

    Interplay lets users manage content creation projects by centralizing media assets and extending access to remote users. Interplay 2.1 includes support for Avid Media Composer and Avid Symphony editing systems on the Mac platform. Interplay 2.1 also offers Web Services 2.0, further extending third-party interoperability with Interplay.

    Interplay Capture, a new feed ingest automation system option for Interplay, schedules and controls the recording of incoming media quickly and accurately. 

    For more information click here.