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Producing

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James DeRuvo: James DeRuvo’s Journal

May 16, 2019
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J.J. Kelley: Documentaries for All Audiences

May 16, 2019
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Tom Jennings: The Challenge of the Small Screen

May 16, 2019
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Yvonne Russo: Untold Stories from Ignored Audiences

May 16, 2019
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Aaron Semmel: Distribution Awash in Chaos

May 16, 2019
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James DeRuvo: The Weekly DoddleNEWS Update

August 30, 2018
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Mark Toia: The First Frame.io Master

August 30, 2018
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Emery Wells: The Frame.io Masters Series

August 30, 2018
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Aaron Semmel: Producing: Stories vs. Technology

August 30, 2018
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Mark Harrison: How Production Handles Change

August 30, 2018
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James DeRuvo: The Weekly DoddleNEWS Update

May 17, 2018
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Michael Kammes: Build a Better Workflow

May 17, 2018
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Greg Dolan: The Power of an Automated Workflow

May 17, 2018
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Andy Shenkler: “One:” Cloud-based Workflow for Filmmakers

May 17, 2018
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Joel Stoner: Studio Suite Helps Facilities Manage

May 17, 2018
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Michael Cioni: Defining a Good Workflow

May 17, 2018
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James DeRuvo: The Weekly DoddleNEWS Update

June 15, 2017
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Rory O’Farrell: Melosity – Online Collaboration for Musicians

June 15, 2017
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Jennifer Jesperson: Music Rights Tools for Producers and Editors

June 15, 2017
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Rollo Wenlock: Wipster: Collaboration, Review & Approval for Teams

June 15, 2017
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Sam Mestman: Collaboration Tools For Video Editors

June 15, 2017
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Tony Cariddi: Musical Collaboration Using ProTools

June 15, 2017
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James DeRuvo: DoddleNEWS Update

October 27, 2016
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Jeff G. Rack: Designing a Set for Maximum Shock

October 27, 2016
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Lisa Younger: Acting in a Horror Movie – and Surviving!

October 27, 2016
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Jonathan Handel: The Thinking Behind SAG/AFTRA’s Strike

October 27, 2016
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Jeff Farley: Make-up for Horror Films

October 27, 2016
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Gus Krieger: Writing and Directing a Horror Film

October 27, 2016
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Rex Palmer: A Freelance Perspective on U.K. Media

February 25, 2016
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Simon Tillyer: U.K. Media from a Publisher’s Point of View

February 25, 2016
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Daniel Sacchelli: Inside Look at BVE

February 25, 2016