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Your essential resource for video production news, interviews, and insight.
Hosted by: Larry Jordan
2014
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Julian & Felix Mack: Inside Nightjar – Mind-bending Video, Sound and Animation
December 18, 2014
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Michael Cioni & Kim Snyder: Panavision Acquires Light Iron – This is BIG News!
December 18, 2014
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Benoit Fouchard: ATEME Introduces a New Way to See in 360 Degrees
December 18, 2014
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Rory McVicar: Faster, More Secure File Transfer and Review
December 11, 2014
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Jonathan Handel: Industry Update
December 11, 2014
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Yvonne Russo: Creating a Successful Documentary
December 11, 2014
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Tom Coughlin: The Future of Storage Technology
December 4, 2014
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David Foley: Delivering 4K Media to the Home
December 4, 2014
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Jordan Kelly Montgomery: Creating “Deliverables” from Finished Projects
December 4, 2014
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Robert Neivert: Net Neutrality, Individual Privacy and the Web
November 27, 2014
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Ned Soltz: Drones and Other Great Camera Accessories
November 27, 2014
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David Colantuoni: News and Insight from Avid
November 27, 2014
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Kevin J. Railsback: Secrets to Great Wildlife Cinematography
November 20, 2014
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Ned Soltz: Latest Camera Technology
November 20, 2014
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Barry Frechette: Creating a Successful KickStarter Campaign
November 20, 2014
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Philip Hodgetts: Metadata is an Essential Tool to Organize Media Projects
November 13, 2014
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Josh Apter: Princess Leia Conquers New York City
November 13, 2014
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Jonathan Handel: Unions and Reality TV
November 13, 2014
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Jonathan Handel: Revenue, Residuals and Streaming Media. Where Are We Headed?
November 6, 2014
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Dror Gill: Reduce File Size and Retain Image Quality
November 6, 2014
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Sean A. Williams, Russell Frazier, and Sean Stack: Creating the Effects for “The Millionaire’s Unit”
October 30, 2014
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Larry O’Connor: Problems Between Yosemite and SSD Drives
October 30, 2014
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Darroch Greer: “The Millionaire’s Unit” – A Film on Naval Aviation
October 30, 2014
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Paul Babb: Does Technology Enhance or Inhibit Art?
October 23, 2014
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Brandon Reza Parvini: VFX wizardry for “Mall” from Ghost Town Media
October 23, 2014
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Michael Kammes: “5 Things” — New from Michael Kammes
October 23, 2014
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Dan Montgomery: Better Ways to Archive Media Projects
October 16, 2014
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Danny Manus: Create Better Scripts
October 16, 2014
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Rob Bessette: An Inside Look at Color Grading
October 16, 2014
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Drewes and Devereaux: Creating Visual Effects for “The Equalizer”
October 9, 2014
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Dan Berube: Do User Groups Still Matter?
October 9, 2014
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Tim Buttner: Using Blackmagic Cameras for Music Videos
October 9, 2014
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Lars Scholten: Creating Art with Cinema 4D
October 2, 2014
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Gunter Nikodim: Creating Art with Cinema 4D
October 2, 2014
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Oliver Meiseberg: Cinema 4D Features Artists at IBC 2014
October 2, 2014
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George Olver: Movidiam: A Creative Network for Filmmakers
October 2, 2014
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Luis Barreto: Inside the World of Reality TV
October 2, 2014
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Michael Schiehlen: Zeiss Introduces New Lenses at PhotoKino
September 25, 2014
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Rollo Wenlock: Wipster – A New, Cloud-Based Media Review System
September 25, 2014
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Tom Bassett: Is A Creative Brief Really Necessary?
September 25, 2014
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Steve Forde & Alissa Johnson: Adobe Announces New Software at IBC 2014
September 18, 2014
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Graham Sharp: Interviews from IBC 2014
September 18, 2014
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Sam Nuttmann: Interviews from IBC 2014
September 18, 2014
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Jim Geduldick: Interviews from IBC 2014
September 18, 2014
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Steve Roberts: Blackmagic Design Acquires eyeon Software
September 19, 2014
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Michael Horton: IBC 2014 SuperMeet Update
September 11, 2014
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Grant Burton: Sky-High Video at the Royal Australian Air Force
September 11, 2014
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Manon Banta: Teaching Filmmaking to At-Risk Kids
September 11, 2014
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Jordan Soles: Visual Effects for “Game of Thrones”
September 11, 2014
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Cathy Aron: Understanding and Protecting Your Copyright
September 4, 2014
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Patricia Siqueriros: Using Creativity to Encourage Young Kids to Continue School
September 4, 2014
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Joel Stoner: Manage Massive Quantities of Content with Studio Suite
September 4, 2014
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Ali Ahmadi: Lighting Styles Around the World
August 28, 2014
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Jane Jensen: Designing Games: “Gabriel Knight”
August 28, 2014
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Hunter Williams: The New World of Production Music
August 21, 2014
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Grover Crisp: “The Reel Thing” for Film Restoration and Preservation
August 21, 2014
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Tom Seufert: Creating Music for Commercials and the Web
August 21, 2014
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Stefanie Mullen: Running a Creative Business
August 14, 2014
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Arie Stavchansky: Data-Driven, Customized Videos with “Templater”
August 14, 2014
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Peter Hamilton: The Challenge of Creating Documentaries for China
August 14, 2014
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Jonathan Handel: Preventing Sexual Harassment and Unsafe Working Conditions on Set
August 7, 2014
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Lydia Cornell: Creating a Successful Acting Career
August 7, 2014
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Tony Cacciarelli: The New Frontier: 4K, 6K, and 8K Video
August 7, 2014
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Johnny Brower: John Lennon and The Pop ’69 Movie
July 31, 2014
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Philip Hodgetts: Update on “Avid Everywhere”
July 31, 2014
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Ian Fritzsche: Television Production at Southeastern University
July 31, 2014
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Marty Lafferty: What Producers Need to Know About “The Cloud”
July 24, 2014
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Jonathan Handel: SAG/AFTRA 2014 Contract Update
July 24, 2014
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Zack Arnold: The Craft of Editing
July 24, 2014
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Emery Wells: Frame.io – New, Cloud-base Project Collaboration
July 17, 2014
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Michele Yamazaki: Skin Re-touching Plug-ins Compared
July 17, 2014
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Jessica Sitomer: Marketing Tips for Creative Companies
July 17, 2014
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Kevin Spark: Balancing Creativity and Clients with Business
July 10, 2014
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Larry O’Connor: Picking the Right Storage for Editing
July 10, 2014
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Jeremy Pollard: Frankie: A Remote Review and Approval System
July 3, 2014
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Jonathan Handel: Why the Aereo Decision is Important to Filmmakers
July 3, 2014
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Philip Hodgetts: The Future of Media Storage
June 26, 2014
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Sean Mullen: Running a Creative Business
June 26, 2014
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Jim Jachetta: Moving Video from Point A to Point B
June 26, 2014
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Jonathan Handel: Update: Supreme Court Rules Against Aereo
June 26, 2014
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Philip Bloom: On 4K Video (Part 1)
June 19, 2014
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Phil Storey: Archiving Update from XenData
June 19, 2014
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Kim Furst: How to Become a Successful Documentary Filmmaker
June 19, 2014
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Oliver Peters: What “Avid Everywhere” Means to Editors
June 12, 2014
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Jessica Sitomer: The Human Side of Remote Collaboration
June 12, 2014
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Michael Cioni: Remote Collaboration with Live Play 3
June 12, 2014
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Chris Layhe: How to Handle High-End Clients
June 5, 2014
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Doug Pircher: Why See the Gear at CineGear?
June 5, 2014
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Michael Berenbaum: Michael Berenbaum, A.C.E., on Editing
June 5, 2014
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Andy Shipsides: New Varicams from Panasonic
May 29, 2014
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David Foley: Delivering 4K Video to the Home
May 29, 2014
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Terry Curren: Weighing In on 4K
May 29, 2014
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Josh Apter: “Sight, Sound & Story” Workshop for Editors
May 22, 2014
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Michele Yamazaki: Plug-ins, Honeymoons and Social Media
May 22, 2014
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Marty Murray: Shooting “Kill Game” on the Blackmagic Cinema Camera
May 22, 2014
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Brian Drewes: Creativity and Survival in the VFX Industry
May 15, 2014
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Jonathan Handel: Hollywood Update: Interns, Musicians, and SAG/AFTRA
May 15, 2014
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David Newman: New Software and Techniques from GoPro
May 15, 2014
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Dan Borunda: Growing a Family-Run Graphics Business
May 8, 2014
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Brad Weyl: Surviving and Thriving in a Post-Production Business
May 8, 2014
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Larry O’Connor: What Makes OWC Successful?
May 8, 2014
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Joel Edwards: Looking for a Creative Edge
May 1, 2014
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Bruce Nazarian: Creating DVD and Blu-ray Discs
May 1, 2014
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Gesine Thomson: Work, Motherhood, and Filmmaking
May 1, 2014
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Jonathan Eric Tyrrell: Better Workflows Mean Better Editing
April 24, 2014
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Michael Hiltzik: Is Net Neutrality Dead?
April 24, 2014
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Jonathan Handel: At the Supreme Court: Aereo vs. Broadcasters
April 24, 2014
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Nic Novicki: Film-making is for Everyone
April 17, 2014
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Jessica Hall: How to Make Money on Your Movie
April 17, 2014
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Dirk Norris & Brad Stoddard: Promoting Independent Films in New Mexico
April 17, 2014
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Christina Lee Storm: Documenting the Death of “Rhythm & Hues”
April 17, 2014
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Bob Zelan & Devon Cook: Storage Solutions from Maxx Digital
April 10, 2014
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SPECIAL REPORT: Ned Soltz Final Summary
April 10, 2014
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SPECIAL REPORT: Alexis Van Hurkman Reports on Resolve 11
April 10, 2014
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Corey Roberts: Fresh Perspective on NAB
April 10, 2014
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Alicia van Heulen: Motion Monkey & Flux
April 10, 2014
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SPECIAL REPORT: Michele Yamazaki Reports on Plug-ins
April 10, 2014
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Miguel Saldate: Rack Mount Your Mac Pro
April 10, 2014
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Rony Sebok: Expansion System for Mac
April 10, 2014
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Ross Kanarek: Hyper Core Lithium Ion Battery Line
April 10, 2014
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Steve Modica: Small Tree’s Shared Storage Solutions
April 10, 2014
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Ric Viers: Blastwave FX’s SonaPedia 3.0
April 10, 2014
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Oliver Masciarotte: Minnetonka Audio Plug-ins for Finishing and Distribution
April 10, 2014
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Derick Rhodes: Search Content on Shutterstock
April 10, 2014
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Rob D’Amico: Clean and Repair Audio with iZotope
April 10, 2014
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Durin Gleaves: Why Choose Adobe Audition over Pro Tools
April 10, 2014
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SPECIAL REPORT: Carey Dissmore Reports on Gear at NAB 2014
April 10, 2014
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SPECIAL REPORT: Ned Soltz Reports on Cloud Storage Safety
April 9, 2014
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Patrick Morgan: Nucoda and Phoenix from Digital Vision
April 9, 2014
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Ian Mottashed: Media Asset Management with Cambridge Imaging Systems
April 9, 2014
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James Lambert-Knott: Transcripts for Editors and Producers
April 9, 2014
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Mark Hudgins: Workflow Solutions from Imagine Products
April 9, 2014
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Roger Mabon & Keith Warburton: Thunderbolt Enabled LTO System
April 9, 2014
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Michele Yamazaki: Brand New Plug-ins Debuted at NAB
April 9, 2014
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Phil Ritti: Cache-A’s Simul-Copy
April 9, 2014
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Duane Sherwood: High Quality Camera Filters from Tiffen
April 9, 2014
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Kanen Flowers: Inspirations & “Hero Punk”
April 9, 2014
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Andrew Young & Haluki Sadahiro: Lenses and Cameras of Panavision
April 9, 2014
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Andy Liebman: Solutions for Collaborate Environments
April 9, 2014
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Andrew Page: NVIDIA’s iray
April 9, 2014
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Peter McAuley: Boris Continuum Complete 9
April 9, 2014
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Dave Walton: JVC’s Eight New Lines of Cameras
April 9, 2014
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Tabb Firchau: New Ways to Stabilize Cameras
April 8, 2014
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Robert Jamieson: High End Graphics Card from AMD
April 9, 2014
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Martin Tlaskal: Color Grading with FilmLight
April 9, 2014
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Brian Zarlenga: Grammy and Oscar Winning Recordings
April 9, 2014
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SPECIAL REPORT: Oliver Peters Reports on the 4K Competition at NAB
April 9, 2014
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SPECIAL REPORT: Ned Soltz Reports on High End Cameras under $10,000
April 9, 2014
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Pete Litwinowicz: Retiming, Motion Blurring, and Warping with Re:Vision Effects
April 9, 2014
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Craig Nimens: New Collections and Libraries
April 9, 2014
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Tom Dickinson: Rent Gear for Your Next Project from Bexel
April 8, 2014
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Jeffrey Stansfield: DIT System for the New MacPro
April 8, 2014
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Gabe Chiefetz: FCP X Video Effects Plug-ins
April 8, 2014
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Doug Pircher: Distributing and Marketing
April 9, 2014
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David Tobie: Spyder HD Release
April 8, 2014
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Les Zellan: Optical Lens Design & Manufacturing
April 8, 2014
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Aharon Rabinowitz & Andrew Little: Red Giant’s Universe
April 8, 2014
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Sean Mullen & Kanen Flowers: QuickTime File Effects
April 8, 2014
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Marc Hamaker: Smoke 2015 with 3D Tracking
April 8, 2014
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Jim Tierney: Editing Plug-ins & Flicker Free
April 8, 2014
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John Tkaczewski: File Catalyst at Sochi 2014
April 8, 2014
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Jonathan Aroesty: All-in-One Workflow Solutions
April 8, 2014
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Kevin Waehner: Sennheiser’s Field Surround Sound Recording System
April 8, 2014
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Angus Mackay: Customized Shared Storage
April 7, 2014
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Jon Tatooles: Sound Devices Expands into Video
April 8, 2014
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Steven Cooperman: New VeriCam Cameras
April 8, 2014
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Dana Ruzicka: Avid in the Future
April 8, 2014
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Suzette Ferguson: Touchscreen Recording Systems
April 7, 2014
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Carter Holland: Capture and Publish Live Video with Tricaster
April 7, 2014
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Bryce Button: CION Production Camera
April 7, 2014
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Ryan Connolly: DIY Filmmaking
April 7, 2014
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Kevin Louden: Introducing Switch
April 7, 2014
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Greg Crosby: G-Tech for the Professional Market
April 7, 2014
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Bob Caniglia: New Blackmagic Studio Camera
April 7, 2014
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Paul Babb: Vizrt Partnership & Cineversity
April 8, 2014
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James Capparelle: Microphones for Les Miserables and Big Brother
April 8, 2014
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Ross Shain: New Features in Mocha 4
April 8, 2014
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Bill Roberts: Adobe in Broadcast News
April 7, 2014
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Bruce Devlin: Manipulating your Media
April 7, 2014
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Tobias Keuthen: New Range of Accessories
April 7, 2014
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Mohammed Aboul-Magd: Large File Transferring
April 7, 2014
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Jess Hartmann: ProMAX Platform Version 4
April 7, 2014
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Kieren Foster: Lithium Ion Battery Safety
April 7, 2014
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Szymon Masiak: Creation of mBadges
April 7, 2014
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David Peto: Aframe’s Dropbox
April 7, 2014
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Pat Grosswendt: LED Lighting for TV and Film
April 7, 2014
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SPECIAL REPORT: Ned Soltz Reports on AJA
April 7, 2014
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Philip Storey: XenData Archiving Solutions
April 7, 2014
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Tim Jones: New Modular Cart Series
April 7, 2014
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Kennon Hulett: Pond5 Integrates 4K Footage
April 7, 2014
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Philip Hodgetts & Sam Mestman: Looking Forward to NAB
April 3, 2014
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Jon Carr: Shooting and Editing with Canon Cameras
April 3, 2014
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Jeff Foster: Aerial Videography with Remote-Controlled Flyers
April 3, 2014
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Micki Krimmel: Build Your Network in the “Creative District”
April 3, 2014
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Brandon Reza Parvini: Creating Visual Effects in 3D
March 27, 2014
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Devan Cress: Pick the Right Video Monitor
March 27, 2014
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Julie Janata: Tips to Get Your Films Into Festivals
March 27, 2014
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Andrew Kowalchuk: Creating the “Super Duper Alice Cooper” Film
March 27, 2014
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Jeff Pickard: The Paperless Office – Reality or Wistful Pipe-dream?
March 20, 2014
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Misha Tenenbaum: Learning the Craft of Telling Stories Visually
March 20, 2014
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Ela Thier: Financing Your Next Feature Film
March 20, 2014
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Sean Safreed: Red Giant Announces Universe – What Does It Mean?
March 20, 2014
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LaToya Morgan: The PGA Power of Diversity Workshop
March 13, 2014
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Johnny Brower: Producing Rock Concerts in the 60’s and 70’s
March 13, 2014
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John Swanbeck: Directing Comedy and Tips for Actors
March 13, 2014
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Mark Chapman: Reports from BVE 2014
February 27, 2014
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Duncan Say: Reports from BVE 2014
February 27, 2014
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Julian Chiverton: Reports from BVE 2014
February 27, 2014
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William Fox: Reports from BVE 2014
February 27, 2014
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Ryan Kempley: Reports from BVE 2014
February 27, 2014
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Bram Desmet: Reports from BVE 2014
February 27, 2014
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Jim Keating: Reports from BVE 2014
February 27, 2014
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Anna Boyd-Smith: Reports from BVE 2014
February 27, 2014
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Stuart Ashton: Reports from BVE 2014
February 27, 2014
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Joe Bull: Reports from BVE 2014
February 27, 2014
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Joseph Atash & Aria Emory: An Inside Look at the Art of Writing
March 6, 2014
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Michael Cioni: Is the New MacPro the “Missing Link” for 4K Media?
March 6, 2014
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John Tkaczewski: High-speed Transfer of Large Files
March 6, 2014
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John Putch: A Look at Indie Films from “The Inside”
March 6, 2014
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Jonathan Handel: Executive Changes at SAG/AFTRA?
February 20, 2014
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Frank Morrone: Looking Back on a Career in Audio
February 20, 2014
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Jonathan Handel: Writers Guild Negotiation Update
February 20, 2014
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Martha Cotton: From Network News to Feature Films
February 20, 2014
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Frank Morrone: Inside the MPSE Sound Editing Awards for 2014
February 13, 2014
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Philip Hodgetts: New Technology to Speed Editing
February 13, 2014
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Jared van Fleet: Making Money with Stock Footage
February 13, 2014
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Mike Timm: Casting the Independent Feature Film
February 13, 2014
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Sam Mestman: 4K and Collaborative Editing using Final Cut Pro X
February 13, 2014
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Jessica Sitomer: Use Your Guild to Build Your Career
February 6, 2014
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Hans-Werner Meyer: How to Build a Career as an Actor
February 6, 2014
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Jonathan Handel: Status of the Writers Guild Negotiations (2014)
February 6, 2014
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Brad Malcolm: “Perfectly Clear” Perfects Visual Images
February 6, 2014
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Nick Dager: The Past, Present and Future of Art-House Cinema
January 30, 2014
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Beki Probst: Managing the European Film Market
January 30, 2014
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Christopher Zitterbart: Tips To Entering Your Film Into Competition
January 30, 2014
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Peter Hamilton: Why Are Feature Documentaries So Hard To Find on TV?
January 30, 2014
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JonathanL: Inside the World of Alternative Rock
January 23, 2014
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Josh Apter: Kick-Starting the PadCaster
January 23, 2014
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Michael Hiltzik: How Important is Net Neutrality?
January 23, 2014
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Ryan Neil Postas: 20 Cameras – One Movie
January 16, 2014
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Noel Cordero: Way Too Many Pictures, Way Too Little Time
January 16, 2014
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Dom Bourne: Using Text Transcripts to Organize Your Projects
January 16, 2014
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Leon Silverman & Jerry Pierce: The Inside Scoop on the HPA Tech Retreat
January 16, 2014
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Elaine Kwok: The Latest Trends in Storage, from Storage Visions 2014
January 9, 2014
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Richard Wright: The Latest Trends in Storage, from Storage Visions 2014
January 9, 2014
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Cirina Catania: CES 2014 Update
January 9, 2014
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Tom Coughlin: The Latest Trends in Storage, from Storage Visions 2014
January 9, 2014
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Marcel James: Recording “The Earth Harp,” a harp anchored by mountains
January 9, 2014
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Steve Dispensa: Inside the Creative Process of “Hitting Home”
January 9, 2014
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Sheldon Laube: Put Art on Your Television
January 9, 2014
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Jonathan Handel: Looking Ahead to 2014
January 2, 2014
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Jessica Sitomer: Looking Ahead to 2014
January 2, 2014
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Ned Soltz: Looking Ahead to 2014
January 2, 2014
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Michele Yamazaki: Looking Ahead to 2014
January 2, 2014
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Jerome Courshon: Looking Ahead to 2014
January 2, 2014
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Michael Kammes: Looking Ahead to 2014
January 2, 2014
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Philip Hodgetts: Looking Ahead to 2014
January 2, 2014
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