2014 Archives | Digital Production BuZZ

Julian & Felix Mack: Inside Nightjar – Mind-bending Video, Sound and Animation

December 18, 2014

Michael Cioni & Kim Snyder: Panavision Acquires Light Iron – This is BIG News!

December 18, 2014

Benoit Fouchard: ATEME Introduces a New Way to See in 360 Degrees

December 18, 2014

Rory McVicar: Faster, More Secure File Transfer and Review

December 11, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Industry Update

December 11, 2014

Digital Production Buzz - Yvonne Russo, National Geographic Television

Yvonne Russo: Creating a Successful Documentary

December 11, 2014

Digital Production Buzz - Tom Coughlin, Coughlin & Associates, Inc.

Tom Coughlin: The Future of Storage Technology

December 4, 2014

David Foley: Delivering 4K Media to the Home

December 4, 2014

Jordan Kelly Montgomery: Creating “Deliverables” from Finished Projects

December 4, 2014

Robert Neivert: Net Neutrality, Individual Privacy and the Web

November 27, 2014

Digital Production Buzz - Ned Soltz, DV Magazine

Ned Soltz: Drones and Other Great Camera Accessories

November 27, 2014

David Colantuoni: News and Insight from Avid

November 27, 2014

Kevin J. Railsback: Secrets to Great Wildlife Cinematography

November 20, 2014

Digital Production Buzz - Ned Soltz, DV Magazine

Ned Soltz: Latest Camera Technology

November 20, 2014

Barry Frechette: Creating a Successful KickStarter Campaign

November 20, 2014

Philip Hodgetts: Metadata is an Essential Tool to Organize Media Projects

November 13, 2014

Josh Apter: Princess Leia Conquers New York City

November 13, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Unions and Reality TV

November 13, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Revenue, Residuals and Streaming Media. Where Are We Headed?

November 6, 2014

Dror Gill: Reduce File Size and Retain Image Quality

November 6, 2014

Sean A. Williams, Russell Frazier, and Sean Stack: Creating the Effects for “The Millionaire’s Unit”

October 30, 2014

Larry O’Connor: Problems Between Yosemite and SSD Drives

October 30, 2014

Darroch Greer: “The Millionaire’s Unit” – A Film on Naval Aviation

October 30, 2014

Paul Babb, Maxon

Paul Babb: Does Technology Enhance or Inhibit Art?

October 23, 2014

Brandon Reza Parvini: VFX wizardry for “Mall” from Ghost Town Media

October 23, 2014

Michael Kammes: “5 Things” — New from Michael Kammes

October 23, 2014

Dan Montgomery: Better Ways to Archive Media Projects

October 16, 2014

Danny Manus: Create Better Scripts

October 16, 2014

Rob Bessette: An Inside Look at Color Grading

October 16, 2014

Drewes and Devereaux: Creating Visual Effects for “The Equalizer”

October 9, 2014

Dan Berube: Do User Groups Still Matter?

October 9, 2014

Tim Buttner: Using Blackmagic Cameras for Music Videos

October 9, 2014

Lars Scholten: Creating Art with Cinema 4D

October 2, 2014

Gunter Nikodim: Creating Art with Cinema 4D

October 2, 2014

Oliver Meiseberg: Cinema 4D Features Artists at IBC 2014

October 2, 2014

George Olver: Movidiam: A Creative Network for Filmmakers

October 2, 2014

Luis Barreto: Inside the World of Reality TV

October 2, 2014

Michael Schiehlen: Zeiss Introduces New Lenses at PhotoKino

September 25, 2014

Rollo Wenlock: Wipster – A New, Cloud-Based Media Review System

September 25, 2014

Tom Bassett: Is A Creative Brief Really Necessary?

September 25, 2014

Steve Forde & Alissa Johnson: Adobe Announces New Software at IBC 2014

September 18, 2014

Graham Sharp: Interviews from IBC 2014

September 18, 2014

Sam Nuttmann: Interviews from IBC 2014

September 18, 2014

Jim Geduldick: Interviews from IBC 2014

September 18, 2014

Steve Roberts: Blackmagic Design Acquires eyeon Software

September 19, 2014

Michael Horton: IBC 2014 SuperMeet Update

September 11, 2014

Grant Burton, Royal Australian Air Force

Grant Burton: Sky-High Video at the Royal Australian Air Force

September 11, 2014

Manon Banta: Teaching Filmmaking to At-Risk Kids

September 11, 2014

Jordan Soles: Visual Effects for “Game of Thrones”

September 11, 2014

Cathy Aron: Understanding and Protecting Your Copyright

September 4, 2014

Patricia Siqueriros: Using Creativity to Encourage Young Kids to Continue School

September 4, 2014

Joel Stoner: Manage Massive Quantities of Content with Studio Suite

September 4, 2014

Ali Ahmadi: Lighting Styles Around the World

August 28, 2014

Jane Jensen: Designing Games: “Gabriel Knight”

August 28, 2014

Hunter Williams: The New World of Production Music

August 21, 2014

Grover Crisp: “The Reel Thing” for Film Restoration and Preservation

August 21, 2014

Tom Seufert: Creating Music for Commercials and the Web

August 21, 2014

Stefanie Mullen: Running a Creative Business

August 14, 2014

Arie Stavchansky: Data-Driven, Customized Videos with “Templater”

August 14, 2014

Peter Hamilton: The Challenge of Creating Documentaries for China

August 14, 2014

Jonathan Handel: Preventing Sexual Harassment and Unsafe Working Conditions on Set

August 7, 2014

Digital Production Buzz - Lydia Cornell

Lydia Cornell: Creating a Successful Acting Career

August 7, 2014

Tony Cacciarelli: The New Frontier: 4K, 6K, and 8K Video

August 7, 2014

Johnny Brower: John Lennon and The Pop ’69 Movie

July 31, 2014

Philip Hodgetts: Update on “Avid Everywhere”

July 31, 2014

Ian Fritzsche: Television Production at Southeastern University

July 31, 2014

Marty Lafferty: What Producers Need to Know About “The Cloud”

July 24, 2014

Jonathan Handel: SAG/AFTRA 2014 Contract Update

July 24, 2014

Zack Arnold: The Craft of Editing

July 24, 2014

Emery Wells: Frame.io – New, Cloud-base Project Collaboration

July 17, 2014

Michele Yamazaki: Skin Re-touching Plug-ins Compared

July 17, 2014

Jessica Sitomer: Marketing Tips for Creative Companies

July 17, 2014

Kevin Spark, Onion Creative

Kevin Spark: Balancing Creativity and Clients with Business

July 10, 2014

Larry O’Connor: Picking the Right Storage for Editing

July 10, 2014

Jeremy Pollard: Frankie: A Remote Review and Approval System

July 3, 2014

Jonathan Handel: Why the Aereo Decision is Important to Filmmakers

July 3, 2014

Philip Hodgetts: The Future of Media Storage

June 26, 2014

Sean Mullen: Running a Creative Business

June 26, 2014

Jim Jachetta: Moving Video from Point A to Point B

June 26, 2014

Jonathan Handel: Update: Supreme Court Rules Against Aereo

June 26, 2014

Philip Bloom: On 4K Video (Part 1)

June 19, 2014

Phil Storey: Archiving Update from XenData

June 19, 2014

Kim Furst: How to Become a Successful Documentary Filmmaker

June 19, 2014

Oliver Peters: What “Avid Everywhere” Means to Editors

June 12, 2014

Jessica Sitomer: The Human Side of Remote Collaboration

June 12, 2014

Michael Cioni: Remote Collaboration with Live Play 3

June 12, 2014

Chris Layhe: How to Handle High-End Clients

June 5, 2014

Doug Pircher: Why See the Gear at CineGear?

June 5, 2014

Michael Berenbaum: Michael Berenbaum, A.C.E., on Editing

June 5, 2014

Andy Shipsides: New Varicams from Panasonic

May 29, 2014

David Foley: Delivering 4K Video to the Home

May 29, 2014

Terry Curren: Weighing In on 4K

May 29, 2014

Josh Apter: “Sight, Sound & Story” Workshop for Editors

May 22, 2014

Marty Murray: Shooting “Kill Game” on the Blackmagic Cinema Camera

May 22, 2014

Brian Drewes: Creativity and Survival in the VFX Industry

May 15, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Hollywood Update: Interns, Musicians, and SAG/AFTRA

May 15, 2014

David Newman: New Software and Techniques from GoPro

May 15, 2014

Dan Borunda: Growing a Family-Run Graphics Business

May 8, 2014

Brad Weyl: Surviving and Thriving in a Post-Production Business

May 8, 2014

Larry O’Connor: What Makes OWC Successful?

May 8, 2014

Joel Edwards: Looking for a Creative Edge

May 1, 2014

Bruce Nazarian: Creating DVD and Blu-ray Discs

May 1, 2014

Gesine Thomson: Work, Motherhood, and Filmmaking

May 1, 2014

Jonathan Eric Tyrrell: Better Workflows Mean Better Editing

April 24, 2014

Michael Hiltzik: Is Net Neutrality Dead?

April 24, 2014

Jonathan Handel: At the Supreme Court: Aereo vs. Broadcasters

April 24, 2014

Nic Novicki: Film-making is for Everyone

April 17, 2014

Jessica Hall: How to Make Money on Your Movie

April 17, 2014

Dirk Norris & Brad Stoddard: Promoting Independent Films in New Mexico

April 17, 2014

Christina Lee Storm: Documenting the Death of “Rhythm & Hues”

April 17, 2014

Bob Zelan & Devon Cook: Storage Solutions from Maxx Digital

April 10, 2014

SPECIAL REPORT: Ned Soltz Final Summary

April 10, 2014

SPECIAL REPORT: Alexis Van Hurkman Reports on Resolve 11

April 10, 2014

Corey Roberts: Fresh Perspective on NAB

April 10, 2014

Alicia van Heulen: Motion Monkey & Flux

April 10, 2014

SPECIAL REPORT: Michele Yamazaki Reports on Plug-ins

April 10, 2014

Miguel Saldate: Rack Mount Your Mac Pro

April 10, 2014

Rony Sebok: Expansion System for Mac

April 10, 2014

Ross Kanarek: Hyper Core Lithium Ion Battery Line

April 10, 2014

Steve Modica: Small Tree’s Shared Storage Solutions

April 10, 2014

Ric Viers: Blastwave FX’s SonaPedia 3.0

April 10, 2014

Oliver Masciarotte: Minnetonka Audio Plug-ins for Finishing and Distribution

April 10, 2014

Derick Rhodes: Search Content on Shutterstock

April 10, 2014

Rob D’Amico: Clean and Repair Audio with iZotope

April 10, 2014

Durin Gleaves: Why Choose Adobe Audition over Pro Tools

April 10, 2014

SPECIAL REPORT: Carey Dissmore Reports on Gear at NAB 2014

April 10, 2014

SPECIAL REPORT: Ned Soltz Reports on Cloud Storage Safety

April 9, 2014

Patrick Morgan: Nucoda and Phoenix from Digital Vision

April 9, 2014

Ian Mottashed: Media Asset Management with Cambridge Imaging Systems

April 9, 2014

James Lambert-Knott: Transcripts for Editors and Producers

April 9, 2014

Mark Hudgins: Workflow Solutions from Imagine Products

April 9, 2014

Roger Mabon & Keith Warburton: Thunderbolt Enabled LTO System

April 9, 2014

Michele Yamazaki: Brand New Plug-ins Debuted at NAB

April 9, 2014

Phil Ritti: Cache-A’s Simul-Copy

April 9, 2014

Duane Sherwood: High Quality Camera Filters from Tiffen

April 9, 2014

Kanen Flowers: Inspirations & “Hero Punk”

April 9, 2014

Andrew Young & Haluki Sadahiro: Lenses and Cameras of Panavision

April 9, 2014

Andy Liebman: Solutions for Collaborate Environments

April 9, 2014

Andrew Page: NVIDIA’s iray

April 9, 2014

Peter McAuley: Boris Continuum Complete 9

April 9, 2014

Dave Walton: JVC’s Eight New Lines of Cameras

April 9, 2014

Tabb Firchau: New Ways to Stabilize Cameras

April 8, 2014

Robert Jamieson: High End Graphics Card from AMD

April 9, 2014

Martin Tlaskal: Color Grading with FilmLight

April 9, 2014

Brian Zarlenga: Grammy and Oscar Winning Recordings

April 9, 2014

SPECIAL REPORT: Oliver Peters Reports on the 4K Competition at NAB

April 9, 2014

SPECIAL REPORT: Ned Soltz Reports on High End Cameras under $10,000

April 9, 2014

Pete Litwinowicz: Retiming, Motion Blurring, and Warping with Re:Vision Effects

April 9, 2014

Craig Nimens: New Collections and Libraries

April 9, 2014

Tom Dickinson: Rent Gear for Your Next Project from Bexel

April 8, 2014

Jeffrey Stansfield: DIT System for the New MacPro

April 8, 2014

Gabe Chiefetz: FCP X Video Effects Plug-ins

April 8, 2014

Doug Pircher: Distributing and Marketing

April 9, 2014

David Tobie: Spyder HD Release

April 8, 2014

Les Zellan: Optical Lens Design & Manufacturing

April 8, 2014

Aharon Rabinowitz & Andrew Little: Red Giant’s Universe

April 8, 2014

Sean Mullen & Kanen Flowers: QuickTime File Effects

April 8, 2014

Marc Hamaker: Smoke 2015 with 3D Tracking

April 8, 2014

Jim Tierney: Editing Plug-ins & Flicker Free

April 8, 2014

John Tkaczewski: File Catalyst at Sochi 2014

April 8, 2014

Jonathan Aroesty: All-in-One Workflow Solutions

April 8, 2014

Kevin Waehner: Sennheiser’s Field Surround Sound Recording System

April 8, 2014

Angus Mackay: Customized Shared Storage

April 7, 2014

Jon Tatooles: Sound Devices Expands into Video

April 8, 2014

Steven Cooperman: New VeriCam Cameras

April 8, 2014

Dana Ruzicka: Avid in the Future

April 8, 2014

Suzette Ferguson: Touchscreen Recording Systems

April 7, 2014

Carter Holland: Capture and Publish Live Video with Tricaster

April 7, 2014

Bryce Button: CION Production Camera

April 7, 2014

Ryan Connolly: DIY Filmmaking

April 7, 2014

Kevin Louden: Introducing Switch

April 7, 2014

Greg Crosby: G-Tech for the Professional Market

April 7, 2014

Bob Caniglia: New Blackmagic Studio Camera

April 7, 2014

Paul Babb: Vizrt Partnership & Cineversity

April 8, 2014

James Capparelle: Microphones for Les Miserables and Big Brother

April 8, 2014

Ross Shain: New Features in Mocha 4

April 8, 2014

Bill Roberts: Adobe in Broadcast News

April 7, 2014

Bruce Devlin: Manipulating your Media

April 7, 2014

Tobias Keuthen: New Range of Accessories

April 7, 2014

Mohammed Aboul-Magd: Large File Transferring

April 7, 2014

Jess Hartmann: ProMAX Platform Version 4

April 7, 2014

Kieren Foster: Lithium Ion Battery Safety

April 7, 2014

Szymon Masiak: Creation of mBadges

April 7, 2014

David Peto: Aframe’s Dropbox

April 7, 2014

Pat Grosswendt: LED Lighting for TV and Film

April 7, 2014

SPECIAL REPORT: Ned Soltz Reports on AJA

April 7, 2014

Philip Storey: XenData Archiving Solutions

April 7, 2014

Tim Jones: New Modular Cart Series

April 7, 2014

Kennon Hulett: Pond5 Integrates 4K Footage

April 7, 2014

Philip Hodgetts & Sam Mestman: Looking Forward to NAB

April 3, 2014

Jon Carr: Shooting and Editing with Canon Cameras

April 3, 2014

Jeff Foster: Aerial Videography with Remote-Controlled Flyers

April 3, 2014

Micki Krimmel: Build Your Network in the “Creative District”

April 3, 2014

Brandon Reza Parvini: Creating Visual Effects in 3D

March 27, 2014

Devan Cress: Pick the Right Video Monitor

March 27, 2014

Julie Janata: Tips to Get Your Films Into Festivals

March 27, 2014

Andrew Kowalchuk: Creating the “Super Duper Alice Cooper” Film

March 27, 2014

Jeff Pickard: The Paperless Office – Reality or Wistful Pipe-dream?

March 20, 2014

Misha Tenenbaum: Learning the Craft of Telling Stories Visually

March 20, 2014

Ela Thier: Financing Your Next Feature Film

March 20, 2014

Sean Safreed: Red Giant Announces Universe – What Does It Mean?

March 20, 2014

LaToya Morgan: The PGA Power of Diversity Workshop

March 13, 2014

Johnny Brower: Producing Rock Concerts in the 60’s and 70’s

March 13, 2014

John Swanbeck: Directing Comedy and Tips for Actors

March 13, 2014

Mark Chapman: Reports from BVE 2014

February 27, 2014

Duncan Say: Reports from BVE 2014

February 27, 2014

Julian Chiverton: Reports from BVE 2014

February 27, 2014

William Fox: Reports from BVE 2014

February 27, 2014

Ryan Kempley: Reports from BVE 2014

February 27, 2014

Bram Desmet: Reports from BVE 2014

February 27, 2014

Jim Keating: Reports from BVE 2014

February 27, 2014

Anna Boyd-Smith: Reports from BVE 2014

February 27, 2014

Digital Production Buzz - Stuart Ashton, Blackmagic Design, Inc.

Stuart Ashton: Reports from BVE 2014

February 27, 2014

Joe Bull: Reports from BVE 2014

February 27, 2014

Joseph Atash & Aria Emory: An Inside Look at the Art of Writing

March 6, 2014

Michael Cioni: Is the New MacPro the “Missing Link” for 4K Media?

March 6, 2014

John Tkaczewski: High-speed Transfer of Large Files

March 6, 2014

John Putch: A Look at Indie Films from “The Inside”

March 6, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Executive Changes at SAG/AFTRA?

February 20, 2014

Frank Morrone: Looking Back on a Career in Audio

February 20, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Writers Guild Negotiation Update

February 20, 2014

Martha Cotton: From Network News to Feature Films

February 20, 2014

Frank Morrone: Inside the MPSE Sound Editing Awards for 2014

February 13, 2014

Philip Hodgetts: New Technology to Speed Editing

February 13, 2014

Jared van Fleet: Making Money with Stock Footage

February 13, 2014

Mike Timm: Casting the Independent Feature Film

February 13, 2014

Sam Mestman: 4K and Collaborative Editing using Final Cut Pro X

February 13, 2014

Jessica Sitomer, The Greenlight Coach

Jessica Sitomer: Use Your Guild to Build Your Career

February 6, 2014

Hans-Werner Meyer: How to Build a Career as an Actor

February 6, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Status of the Writers Guild Negotiations (2014)

February 6, 2014

Brad Malcolm: “Perfectly Clear” Perfects Visual Images

February 6, 2014

Nick Dager: The Past, Present and Future of Art-House Cinema

January 30, 2014

Beki Probst: Managing the European Film Market

January 30, 2014

Christopher Zitterbart: Tips To Entering Your Film Into Competition

January 30, 2014

Peter Hamilton: Why Are Feature Documentaries So Hard To Find on TV?

January 30, 2014

JonathanL: Inside the World of Alternative Rock

January 23, 2014

Josh Apter: Kick-Starting the PadCaster

January 23, 2014

Michael Hiltzik: How Important is Net Neutrality?

January 23, 2014

Ryan Neil Postas, Elevated Minds

Ryan Neil Postas: 20 Cameras – One Movie

January 16, 2014

Noel Cordero: Way Too Many Pictures, Way Too Little Time

January 16, 2014

Dom Bourne: Using Text Transcripts to Organize Your Projects

January 16, 2014

Leon Silverman & Jerry Pierce: The Inside Scoop on the HPA Tech Retreat

January 16, 2014

Elaine Kwok: The Latest Trends in Storage, from Storage Visions 2014

January 9, 2014

Richard Wright: The Latest Trends in Storage, from Storage Visions 2014

January 9, 2014

Cirina Catania, Digital Production Buzz

Cirina Catania: CES 2014 Update

January 9, 2014

Digital Production Buzz - Tom Coughlin, Coughlin & Associates, Inc.

Tom Coughlin: The Latest Trends in Storage, from Storage Visions 2014

January 9, 2014

Marcel James: Recording “The Earth Harp,” a harp anchored by mountains

January 9, 2014

Steve Dispensa: Inside the Creative Process of “Hitting Home”

January 9, 2014

Sheldon Laube: Put Art on Your Television

January 9, 2014

Jonathan Handel, Troy/Gould

Jonathan Handel: Looking Ahead to 2014

January 2, 2014

Jessica Sitomer: Looking Ahead to 2014

January 2, 2014

Digital Production Buzz - Ned Soltz, DV Magazine

Ned Soltz: Looking Ahead to 2014

January 2, 2014

Michele Yamazaki: Looking Ahead to 2014

January 2, 2014

Jerome Courshon: Looking Ahead to 2014

January 2, 2014

Michael Kammes: Looking Ahead to 2014

January 2, 2014

Philip Hodgetts: Looking Ahead to 2014

January 2, 2014

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